Demonization and Détente: Christian Identity and the Elizabethan Foreign Policy in The Jew of Malta
Abstract
Demonization, in Western literature, is most often enacted against so-called “Others” and/or religious minorities. The Jew of Malta challenges this tendency and exposes Christian hypocrisy against other faiths in the Renaissance period. One reason is the Catholic-Protestant opposition, which fractured Europe during the sixteenth century and provoked Elizabeth I to ally with the Ottoman Empire to enhance England's geopolitical position in the face of Spanish anxieties. Employing the New Historicist and constructivist frameworks, the discussion contextualizes the play historically to investigate how Marlow critiques Christian morality and the Elizabethan détente that masked political and economic capital. The religious rhetoric serves as an instrument of power. Both Ferneze and Elizabeth 1 manipulate it to justify their corrupt acts against their rivals. Friars deceive one another, and the nuns' chastity is also called into question. The study suggests the play as a diplomatic theatre, a space where identities are constructed and literature and global politics are mediated.
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